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Post-Mortem : ADHURS

<a style="font-family: arial;" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYScIJJHVGr82qPmP5sqeFzCrUalNgKIlVBX7CCrKuFrkfI-C6v0tN4lqQ36NGJBECNGdqpqcvaDdGlUAyMOOBEjBYrCjxe21EO8r7iF7OPX2RHxhrBJ13G_Q1rcvgodPnZN8sqpPBGc0/s1600-h/ADHURS_PostMortem_(www.mudratalkies.blogspot.com).jpg"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5426850669466542994" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYScIJJHVGr82qPmP5sqeFzCrUalNgKIlVBX7CCrKuFrkfI-C6v0tN4lqQ36NGJBECNGdqpqcvaDdGlUAyMOOBEjBYrCjxe21EO8r7iF7OPX2RHxhrBJ13G_Q1rcvgodPnZN8sqpPBGc0/s320/ADHURS_PostMortem_(www.mudratalkies.blogspot.com).jpg" style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 320px; height: 240px;" /></a> <div class="post-body entry-content"><link style="font-family: arial;" rel="File-List" href="file:///C:%5CDOCUME%7E1%5CMeconzee%5CLOCALS%7E1%5CTemp%5Cmsohtmlclip1%5C01%5Cclip_filelist.xml"><link style="font-family: arial;" rel="themeData" href="file:///C:%5CDOCUME%7E1%5CMeconzee%5CLOCALS%7E1%5CTemp%5Cmsohtmlclip1%5C01%5Cclip_themedata.thmx"><link style="font-family: arial;" rel="colorSchemeMapping" href="file:///C:%5CDOCUME%7E1%5CMeconzee%5CLOCALS%7E1%5CTemp%5Cmsohtmlclip1%5C01%5Cclip_colorschememapping.xml"><style>  </style> I personally believe in “For a Movie - 1st title should give a hint/clue & then audio should speak about the movie”. For this movie word “ADHURS” is kept as a title, which is not relevant to the movie, but this kind of titles give some pre-release positive buzz, also the after effects are equally bad if the movie shapes out bad. Here in this case the movie has fair chances to fall in to 2nd category with this title. My Title a simple, yet suitable one “SHIVASHAMBHO” or “DOUBLES” or “CHARI” “oka character peru “SHIVAnanda Satry/Chary” inko character peru “SHAMBHU Prasad” ani pettukuni… Title: “SHIVASHAMBHO” ani pettukunte – daniki related oka Song, also alanti bits/vocals BGM lo vadukovochhu, apudu oka meaning vuntundi. Cinemaki sambandham lekunda oka songlo… cinema starting titleslo… cinema madhyalo.. “shambhoshivashambho” ani aravatam enthavaraku samanjasam… worst caselo chary character shiva bhakthudu kooda kadu. When the basic idea of the story is not fresh or already seen, there needs a good hard work on characterizations & screenplay to engage the audience throughout grippingly. Here some good care taken for Chari’s character/role, but Narasimha’s characterization is just like an extension to KANTRI’s Kranti, which happens to be the recent last film of Jr.N.T.R. This created a bad feel from the behind, though Chari successfully accomplished task of entertaining the audience with his best efforts. The usage of Jerkins to Narasimha’s character portrayal also helped the audience to think about Kranti from Kantri. In the 2nd half where Chari steps in to Narasimha’s shoes & when both the brothers appear together they both appear in jerkins. The introduction scene of Narasimha role is too bad [jumping out of a blasting container] in fact so silly/substandard among all the mass roles donned by Jr.N.T.R, which I have seen till date. When one want to use graphics part in a movie, needs special attention on the screenplay – here in the hero introduction fight when car slides on the road upside down in water & stops a foot in front of him, it is shown like water spills on him, but we find him completely in dry clothes, not even a single wet sign on him!!! I liked the way Narasimha’s introduction scene starts & the 1st fight is shown as part of “Shiyaji Shinde’ imagination & explanation to his sub-ordinate” in case investigation. I did not understand why “kallu – eyes” word is being censored in a dialogue uttered by Brahmanandam “noru mantralu chadiveppudu , kallu kaaligne vuntavi kadara”. It looked funny, because though the word is cut, the expression fills the blank right again! So what is the gain? Didn’t the Censor board find “nakesaru” word & mannerisms which comes for 3-4 times? Btw, the scenes involving Chari uttering this word, received tremendous response in theatre. I liked the hint given by the writer/director, about Shiyaji Shinde’s character when he says “Narsi, ee deal chala peddhha deal, nuvu chala jagrathaga cheyali, idi nenu netho chesthunna/cheyisthunna last deal. Jr.N.T.R & Nayanatara – pair looked odd! Nayanatara has to look after her makeup styles! One of the main logics in the movie “villain cannot kill major until the weapon is ready & is handed over”. Even we catch this, but not our poor hero, Narasimha role, unless a comedian (Raghu Babu) reveals, that is why I say, the characterization given to this role is not good/strong. Though comedy is generated it mars heroism when comes to mass hero films. We can have an alternate scene/option there like … hero himself in front of villain & Raghu babu can say this logic with a dialogue like … “mee sthavaram telusukovatanike inthasepu silentga vundi, metho ikkadivaraku vachhanura… malli kaludhamu” & runaway Not just in this film, about I felt this in many of our telugu films, please take care of scenes/shots when someone hits a glass/mirror, though graphics are used, make sure an appropriate blood stain is kept on that part. Here hero in a chase scene hits many window/door glasses, but I found no blood stains. In “panchekattu” song, if to censor reasons, lyrics are changed – is any proper care taken while inserting new word? Old Lyrics are about “pilaka” & “niluvu bottu” changed to “paatha bike” & “old look” what is this “paatha bike” ? Chari doesn’t own any bike if you observe! If you change lyrics/words at one place i.e in one line, is it enough? There will be related words in other lines right? When it was “pilaka” in 1 line – “cut chesa” will suit as an answer, but did the writers think of how “paatha bike” will suit for “cut chesa” & vice-versa. Also for “niluvu bottu” = “cheripesa” , “old look”=”cheripesa”??? In the same song hero says I like this “French cut”, but I found no such beard style! Btw, he looks good in French , we saw him like that in a blink & miss dance bit in “CHINTHAKAYALA RAVI”. In a scene, where Narasimha character hides behind a wall & follows Raghu Babu , the BGM shouts as CHARI! What does this mean maker? [Music Director & Director] In the beginning of the M.S.Narayana’s “Athma” thread, when he gets down from the car and stands in front of Chari & Bemmi, I found shooting team in M.S.Narayana’s glasses/specs. The same appears repeatedly in Sheela’s & N.T.R’s glasses/specs in “naa kallalo” song. What is the purpose of a lengthy fight in Kolkata temple scene? It can be short. Can’t they find any other option like changing positions/locations in the same temple, like sitting, standing, walking etc when bamma reveals the truth that both “Chari & Narasimha are twins”? In the 1st meeting itself Chari calls Narasimha as “ra”, “avunra”, “entra” etc, which sounded a bit odd, as it was all of a sudden, in the same single scene. “Naa kallalo” song is so badly picturized in such a way that, I felt no one from other state, who doesn’t know about Jr.N.T.R already, will believe if I show him this song & say that “this hero is one of the best dancers of Indian cinema”. In a scene where Chari will be explaining “kavalapillala katha” to Mahesh Manjrekar … Ashish Vidyarthi & Bemmi comes to tell the same … the camera/graphics/DI is soo bad putting this scene out of the movie. I liked the concept & it’s presentation of two Jr.N.T.Rs dancing together in last song. Narasimha character Killing Shiyaji Shinde, Sheela’s father with no proper related scene between Father-Daughter, which reveals his nature to Sheela & marrying her … this thread looked improperly etched. In the Climax, when Chari turns Narasimha and fights with goons, the BGN of “types/kinds of Narasimha avatar” is a big fun!!! Following again Shambho Shiva Shambho … Shiv Shiv Shamho. What is the purpose & logic for giving no good end to “Athma” thread? Jr.N.T.R – Needs to take care in costumes department. He is handsome now & this is one of his best looks after Simhadri getup. If he maintains the same, it would be good. Nayanatara – Think a while, before anyone takes her to the movie, put her conditions of changing her make ups and hairstyles. Sheela – Needs a good length character, unlike sticking to shaking legs in songs. Brahmanandam – It would be nice, if he does only selective (good) characters like this for which he is a must & also worth for his career graph, to maintain the legendary reputation. Vinayak – Seems he is concentrating / depending more on comedy , though it’s good, putting aside all other important aspects of a film is too bad. We have other directors who make only comedy movies.</div>

Post-Mortem : ADHURS

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Namo Venkatesa Post Mortam

<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjU7aDjUK6R1vUrFokHf6KYO2slp84VcBcrri1N7qQnuAUwmP0PIK-zb1j9i2xGF24HlbXrgQE9cgr4TL8l41L6Lc0cvMbRQe4HE6p-tKBkxMn4MaekMPS9xTAf2rnluI-eNm8Lvrxpkqs/s1600-h/Namo-Venkatesa_Post+Mortem_%28www.mudratalkies.blogspot.com%29.jpg"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5426872751795703554" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjU7aDjUK6R1vUrFokHf6KYO2slp84VcBcrri1N7qQnuAUwmP0PIK-zb1j9i2xGF24HlbXrgQE9cgr4TL8l41L6Lc0cvMbRQe4HE6p-tKBkxMn4MaekMPS9xTAf2rnluI-eNm8Lvrxpkqs/s320/Namo-Venkatesa_Post+Mortem_%28www.mudratalkies.blogspot.com%29.jpg" style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 320px; height: 160px;" /></a> <div class="post-body entry-content"><link rel="File-List" href="file:///C:%5CDOCUME%7E1%5CMeconzee%5CLOCALS%7E1%5CTemp%5Cmsohtmlclip1%5C01%5Cclip_filelist.xml"><link rel="themeData" href="file:///C:%5CDOCUME%7E1%5CMeconzee%5CLOCALS%7E1%5CTemp%5Cmsohtmlclip1%5C01%5Cclip_themedata.thmx"><link rel="colorSchemeMapping" href="file:///C:%5CDOCUME%7E1%5CMeconzee%5CLOCALS%7E1%5CTemp%5Cmsohtmlclip1%5C01%5Cclip_colorschememapping.xml"><style>  </style> The complete film is a bad kichidi with mixture from many Venky’s & Sreenu Vytla’s movies. Saying the gist of the film in dialogues with reference to other film titles can’t help always. Here in the film Dilwale Dulhaniya Le Jayenge, Okkadu are used in some dialogues to speak about next happenings. Venky loves Trisha in AMAV, but Trisha doesn’t love him but loves some other guy (Srikanth) who happens to be Venky’s friend. The same here again with a difference that there is no direct communication between Venky & Trisha, Bemmi is a mediator/cheat/culprit and Trisha loves Akash who is not a friend of Venky. But in the end Trisha develops sudden feelings over Venky & both get married to each other. Atleast in AMAV there was some stupid drama, but here there is nothing of such kind between the lead pair relating / strengthening this main thread. Genelia has no parents but she is an owner of crores of property and her money minded uncle(s) want her get married to their son(s) in READY. Trisha’s role here is same with an addition of AMAV characterization as said above. Dharmavarapu’s role (Santosh) in Ready is coming to villain’s den as a stranger and getting stucked till the end. Same role copy paste with a change, this time he is a relative to Villain. In MALESWARI movie, Venky & Katrina will have a huge difference/gap w.r.t financial position. Here in this movie, in some dialogues they give the same feel again, as Venky is middle class person and Trisha has 100cr property on her name. Seems we can’t get to see a Sreenu Vytla’s movie without “drinking & beating” comedy scenes. Btw, who is the villain in this story? Mukesh Rushi or Bemmi? Who is the FOOL in this story? Bemmi or Venky? Coming to DSP’s efforts: (song name) – [Tune similarity/resemblance/rehash mixture] (Namo Venkatesha title song) – [Mr.Perfect from Arya2] , (Tuttadoi) – [Nenu nee raja raja from King], (Nee Kallalo) – [Naa Manasuni meetake from Manmadhudu] , (Ding Dong) – [Nuvvu ready nenu ready from King], (Non Stop) – [Uppenantha from Arya2 & Rekkalu Thodigina from Current] DSP badly needs a break if we want fresh tunes from him [which he can give – like Anandam, Varsham, Manmadhudu, NVNV, Arya, Pournami, Bommarillu etc.] Film Makers; PLEASE give him a break, which is good for all of us!!! Venky – Please take good care of Script selection. An actor of your caliber and experience cannot pass career acting/giving this kind of Bad Pulihora. Sreenu Vytla – Please take a break. We expect you to comeback with some fresh entertainer, unlike kichidi mix of old wine that too of your own movies. My Question to: Fight/Action Designers, Script Writers, Cinematographer, Hero, Editor, & Director. When something hard falls on a rubber bed like thing, that fallen object and other those lying on it has a chance to jump high a little. [Reason behind: Rubber bed will have elastic nature] Will the same happens on a CONCREATE FLOOR? <div style="border-style: none none solid; border-color: -moz-use-text-color -moz-use-text-color windowtext; border-width: medium medium 1pt; padding: 0in 0in 1pt;"> In this movie, in the end of the airport fight episode, when Venky hits one guy hard to the ground [CONCREATE FLOOR, parking ground in Shamshabad Airport] other three lying on the ground jump high & fall again. Fight/Action Designers visualized and explained this to Script Writers who inserted it, with the sincere help of Hero & Cinematographer, Director picturized this and Editor left as it is, finally Director has shown me a MIRACLE / WONDER in this UNIVERSE which for sure has the best possibility of happening only in TELUGU CINEMA. Note: Am not much concerned with copy/lift/resemble/similar scenes/threads/tunes all I am concerned is how far they made gel in to the script & executed well giving the required feel to the film. Like this Namo Venkatesa, lifted the impression on “Tulasi” & “Chinthakayala Ravi”, those two are passable, bearable, in fact far better movies from Venky when compared to Namo Venkatesa! </div></div>

Namo Venkatesa Post Mortam

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Namo Venkatesa Review

<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWQPD7U3MLYDTSu8RNetVbq4ay1DY9UZpetbcA3PEDhL7oy_MNyIRTKrqg_4U53by6rcBibc6STUwo4uyVADEMHi20Rkg44igoRuGa2_agbifNMVl1lRTZ9KwZNrmoRaG-pcYrRl6Ads4/s400/Namo-Venkatesa-Movie-Wallz19.jpg"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWQPD7U3MLYDTSu8RNetVbq4ay1DY9UZpetbcA3PEDhL7oy_MNyIRTKrqg_4U53by6rcBibc6STUwo4uyVADEMHi20Rkg44igoRuGa2_agbifNMVl1lRTZ9KwZNrmoRaG-pcYrRl6Ads4/s400/Namo-Venkatesa-Movie-Wallz19.jpg" style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 200px;" /></a> Varasa Hits tho doosukupotunna Srinu Vytla, Victory ni inti peru ga marchukunna Venky, ALready AMAV tho hit kottina heroin Trisha combination lo movie ante expectations high undatam mamule, adi kuda sankranthi season lo vache cinema ante inka cheppane akkaraledu. mari e Namo Venkatesa em chesado chooDaama? Performances: Hero: Venky ala ila kummaledu, oka range lo kummesadu, movie motham ni thana shoulders meedane carry chesadu ani cheppukovachu. venky comedy timing gurunchi pratyekam ga cheppalsina avasram ledu anukunta, action wise chaala baga chesadu. movie ki main asset Venky ne. Brahmi: Padmasri Dr. Brahmanandam garu and Srinu vytla combination antene unna craze ento mee andariki telusu. inthaku mundu movies tho polchukunte, e movie lo brahmi full length roll chesaru. sadharanam ga ekkuva sepu kanipinchinappudu, motham ga nachatam anedi undadu, so some times konchem bore feel avutham, kani konni punch lu aithe baga enjoy chestham. movie ki inkoka saving grace brami ani cheppukovali\ Heroin: Trisha daggara nunchi intha kante expect cheyyataniki kuda em ledu. edo papam thana role lo thana vanthu thanu chesindi Others: As usual ga srinu vytla grp lo unde vallu andaru unnaru, valla paridillo vallu chesaru kani, e sari maree antha impressive ga cheyyaleka poyaru Technical Departments: Story: Peddaga cheppukotaniki em ledu. kaka pothe movie motham comedy, and screenplay meda depend ai undatam valana, story gurunchi antha ga discuss cheyyataniki kuda ledu. simple story. kothadanam antu emanna unda ante, sorry. Dialogs: Chintapalli Ramana baga rasaru. konni dialogs ki aithe theater maru mogi poindi, kaka pothe anni dialogs anthaga pandaledu. konni punch lo janlaki antha ga reach avvaledu. may be second time or third time choosinappudu catch chestaremo Music: Devi inka manchi music ichi unte, movie asalu next level lo undedi. on screen 3 songs bavunnai, BGm aithe comedy varaku okay kani serious situations vachinappudu DSP screwed ani cheppukovali. Others: Editing ok, cinematography bavundi, fights ok, dance lu expect cheyyalsina avasram kuda ledu, but simple ga unnai. Screenplay & Direction: Movie ki main backbone screenplay.enduhkante already story lo em ledu, so inka movie ni nadipinchalsindi screenplay ne. first half lo Jathakam episode, mandu scene, ali and venky madya scenes second half lo Hanuman Junction type lo night time vache scene, Anada rao episode baga pandai, kaka pothe ikkada vachina problem enti ante, movie READY and DHEE movies tho poli undatam oka disadvantage ani cheppukovachu. Motham meeda sreenu vytla e sari konchem disappoint chesadu ane cheppukovachu. Overall ga: Family audience ki baga reach ayye film. Srinu mark comedy ni Venky style lo choosi enjoy cheyyandi.anthaku minchi inka em expect cheyyoddu.

Namo Venkatesa Review

Varasa Hits tho doosukupotunna Srinu Vytla, Victory ni inti peru ga marchukunna Venky, ALready AMAV tho hit kottina heroin Trisha combination lo movie ante expectations high undatam mamule, adi kuda s…

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