The complete film is a bad kichidi with mixture from many Venky’s & Sreenu Vytla’s movies. Saying the gist of the film in dialogues with reference to other film titles can’t help always. Here in the film Dilwale Dulhaniya Le Jayenge, Okkadu are used in some dialogues to speak about next happenings.

Venky loves Trisha in AMAV, but Trisha doesn’t love him but loves some other guy (Srikanth) who happens to be Venky’s friend. The same here again with a difference that there is no direct communication between Venky & Trisha, Bemmi is a mediator/cheat/culprit and Trisha loves Akash who is not a friend of Venky. But in the end Trisha develops sudden feelings over Venky & both get married to each other. Atleast in AMAV there was some stupid drama, but here there is nothing of such kind between the lead pair relating / strengthening this main thread.

Genelia has no parents but she is an owner of crores of property and her money minded uncle(s) want her get married to their son(s) in READY. Trisha’s role here is same with an addition of AMAV characterization as said above.

Dharmavarapu’s role (Santosh) in Ready is coming to villain’s den as a stranger and getting stucked till the end. Same role copy paste with a change, this time he is a relative to Villain.

In MALESWARI movie, Venky & Katrina will have a huge difference/gap w.r.t financial position. Here in this movie, in some dialogues they give the same feel again, as Venky is middle class person and Trisha has 100cr property on her name.

Seems we can’t get to see a Sreenu Vytla’s movie without “drinking & beating” comedy scenes.

Btw, who is the villain in this story? Mukesh Rushi or Bemmi?

Who is the FOOL in this story? Bemmi or Venky?

Coming to DSP’s efforts:

(song name) – [Tune similarity/resemblance/rehash mixture]

(Namo Venkatesha title song) – [Mr.Perfect from Arya2] , (Tuttadoi) – [Nenu nee raja raja from King], (Nee Kallalo) – [Naa Manasuni meetake from Manmadhudu] , (Ding Dong) – [Nuvvu ready nenu ready from King], (Non Stop) – [Uppenantha from Arya2 & Rekkalu Thodigina from Current]

DSP badly needs a break if we want fresh tunes from him [which he can give – like Anandam, Varsham, Manmadhudu, NVNV, Arya, Pournami, Bommarillu etc.] Film Makers; PLEASE give him a break, which is good for all of us!!!

Venky – Please take good care of Script selection. An actor of your caliber and experience cannot pass career acting/giving this kind of Bad Pulihora.

Sreenu Vytla – Please take a break. We expect you to comeback with some fresh entertainer, unlike kichidi mix of old wine that too of your own movies.

My Question to: Fight/Action Designers, Script Writers, Cinematographer, Hero, Editor, & Director.

When something hard falls on a rubber bed like thing, that fallen object and other those lying on it has a chance to jump high a little. [Reason behind: Rubber bed will have elastic nature] Will the same happens on a CONCREATE FLOOR?

In this movie, in the end of the airport fight episode, when Venky hits one guy hard to the ground [CONCREATE FLOOR, parking ground in Shamshabad Airport] other three lying on the ground jump high & fall again. Fight/Action Designers visualized and explained this to Script Writers who inserted it, with the sincere help of Hero & Cinematographer, Director picturized this and Editor left as it is, finally Director has shown me a MIRACLE / WONDER in this UNIVERSE which for sure has the best possibility of happening only in TELUGU CINEMA.

Note: Am not much concerned with copy/lift/resemble/similar scenes/threads/tunes all I am concerned is how far they made gel in to the script & executed well giving the required feel to the film.

Like this Namo Venkatesa, lifted the impression on “Tulasi” & “Chinthakayala Ravi”, those two are passable, bearable, in fact far better movies from Venky when compared to Namo Venkatesa!

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